Stomping the Stigma of Mental Illness

Actor Joe PantiolanoTen years ago I was flipping channels and stumbled upon the TV Guide network.  An actor named Joe Pantoliano was being interviewed.  I’m sure you would recognize him as easily as I did; he has appeared in many of our favorites:  The Goonies, Risky Business, Running Scared, La Bamba, Bound, Memento, The Matrix, “The Sopranos” (for which he won an Emmy award), etc etc etc.  He’s not necessarily a household name but he is certainly a recognizable face.

He was talking about his fight with clinical depression, something that many people have struggled with, including myself since my teen years.  He said something that I had never considered before then:  that an illness of the brain is just as valid as an illness of any other part of the body.  He spoke about how when actors are hired for movies or TV programs, they are insured health-wise, and some companies refused to insure him for depression, just in case he had “an episode.”  Pantoliano pointed out how, if he had something like heart disease or cancer, then it wouldn’t have been a problem to insure him, but a stigma still exists for mental illness.  As a result, he now declines to play a role for any company that refuses to acknowledge that clinical depression is real.

I had never perceived depression like that before then.  Truth is, public understanding of mental illness is still a newborn babe.  When I was a sophomore in high school the lead of the popular Kurt Cobain of Nirvanaalternative rock band Nirvana, Kurt Cobain, shot himself in the head; it was revealed soon after that he suffered from depression (bi-polar, if I recall correctly).  I will never forget an acquaintance who declared, “What does he have to be depressed about?”  (Then again this ******** also said, “I’m glad he’s dead, he was such a freak.”)  That’s the misunderstanding about depression.  It’s a language fallacy.  Some days we all say, “Damn, I feel so depressed about…”  We all have down, dark blue days.  But that is NOT the same thing as clinical depression.  That’s why I think it should be called something else . . . but then again, the term “mental illness” doesn’t rank too high on most people’s registers, either.  People who have it are often too embarrassed or ashamed to speak of it.  I never have been, for whatever reason.  Maybe because I knew I was kind of a weirdo anyway.  :)   But I quickly discovered that once I shared my experiences with other people, then they would open up about their own struggles with ongoing depression (or Schizophrenia, or any mental disorder), or the struggles of someone in their family.  I always knew that if people with mental illness didn’t talk about it, how would the world ever be educated about it, much less accept it?

That’s exactly what Joe Pantoliano is doing with his organization and the documentary he directed called No Kidding? Me Too!  (I strongly encourage you to visit his website!  There is also a Facebook page.)  He’s opening up and sharing his experiences with the world at large, not only over media but also in person (including with military and Capitol Hill).  Watch the video below for a glimpse:

“Mental disease is the only thing you can be diagnosed with and get yelled at for having . . . Why is that?” – Joe Pantiolano  (I would add addiction to that, too, assuming it really is a disease.  The jury’s still out on that one, I guess.)

Edited to add:  OOhhh!!!  You MUST watch this video also . . . Joey speaks SO eloquently and intelligently and sensitively about mental illness.  I was just going to add a couple quotes, but almost everything he says is wonderful.

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Happy Thanksgiving Weekend from Yello and John Hughes!

(click on the song titles to hear the music directly off my server)

Dutch starring Ed O'Neill and Ethan Randall EmbryIt was John Hughes‘ 1991 Thanksgiving road movie Dutch that introduced me to one of my favorite bands of all time, Yello, a Swiss electronica duo comprised primarily of Dieter Meier and Boris Blank.  They are most well known in North America for “Oh Yeah,” which was featured in Hughes’ 1980s classic Ferris Bueller’s Day Off (“chika-chikaaaah!”).

Back then I had no clue as to who John Hughes was.  I also didn’t have ready access to a music store of any kind, and was ordering my cassette tapes through a mail-order catalog.  I looked at the album titles under Yello, and chose two at random – Stella and One Second - hoping to heaven that the song I wanted was on one of them.  Thankfully, it was, and ”Oh Yeah” was on both.

Desire” is probably the sexiest driving-at-night song ever, and was perfect for the scene when Dutch and Doyle hitched a late-night ride with two beautiful topless dancers.  Immediately after that scene plays the beginning of Yello’s “Otto di Catania” (this link goes to YouTube) as the group pulls into a diner/gas station complex early in the morning.  Mostly, however, Dutch features “Tied Up” whenever we see the deck of racy playing cards, and particularly during the end credits.

Planes Trains, & Automobiles starring Steve Martin and John CandyHughes used Yello’s music in yet another one of his films, this one also a Thanksgiving road trip story.  You guessed it:  Planes, Trains & Automobiles.  One of the most hysterical sequences is when Neal and Del are forced to share a queen-sized motel bed for the night (particularly when they wake up the next morning).  When the two enter the motel room and realize in horror that there’s only one bed, we hear the opening measures to Yello’s “Lost Again,” a perfect song title considering this film’s storyline.

Dieter Meier and Boris Blank of YelloMost of my favorite Yello songs aren’t included in John Hughes movies, but there are two of them here, to give you a further sampling of their music and to encourage you to look into them.  The One Second album includes two of my favorites: ”Call It Love” (which inspires wistful daydreams of driving a convertible along the nighttime Florida coastline with the warm wind whipping through my hair) and is then followed up with the equally exotic and romantic “Moon On Ice” (link goes to YouTube).  Give Yello a chance . . . you’ll be glad you did.  :)

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Who Are You Supposed To Be? Reflections on Pump Up The Volume

“One day I woke up, and I realized I was never gonna be normal.” – HHH

It sounds cliché but I’ll say it anyway:  the 1990 film Pump up the Volume helped me survive high school.

I realize I’m committing a cinematic cardinal sin by not acknowledging John Hughes as my personal savior of alienated youth, especially considering how I’ve maintained an entire website devoted to his films, but the truth is writer/director Allan Moyle delved into a much deeper study of the dark side of the young.  Hughes’ teen fare is just as strong, but with a different flavor; Pump Up The Volume was also released on video years after Hughes’ teen films, smack in the middle of my own schoolhouse maelstrom.  Still, both filmmakers are uniquely and remarkably similar for their commonality in hiring an enormous cast of realistic-looking high school students instead of the teenage Barbie and Ken dolls one finds in most young adult programming today.  And the both of them obviously get it.

Christian Slater in Pump Up The VolumeThe plot goes as follows:  Christian Slater stars as Mark Hunter, who is by day a painfully bashful high school student but by night is a daring and raunchy pirate radio personality named “Happy Harry Hard-On.”  His schoolmates, unbeknownst of his true identity, flock to their radios every night at ten o’clock to hear his lewd humor and commentary on sex, school and rock ‘n’ roll.  It’s when Mark dares to openly criticize school staff and administration and unearth their questionable practices when the FCC is called in to close him down.  The story is an anthem of free speech, as well as a close look at the responsibilities and potential problems that come with it.

Seeing as how I grew up in a town of 800 people and graduated with less than fifty classmates (after we combined neighboring districts), the high school in Pump Up The Volume was a dream come true.  A student population of over 1,200?!  A school where not everyone knew by the end of the day if you had sneezed that morning?  Where it was actually possible to have secret pockets of conversation in discreet corners without everyone sticking their noses in?  As if that wasn’t exotic enough to me as a teenager, lockers outside? (This film takes place in the relatively snow and ice-free Arizona, after all. :) )  I often felt back then that a larger, more diverse school would have allowed me to express myself more freely with less rude opposition.  I have no way of knowing if that would have been true or not, but judging from this movie, I would have likely felt the same no matter what the population:  scared, ugly, alienated, alone.

“They’re saying something’s wrong with me, that I should be ashamed . . . I’m sick of being ashamed, aren’t you?  I don’t mind being dejected and rejected but I’m not gonna be ashamed about it!!  At least the pain is real.  You look around and nothing is real but at least the pain is real…” – HHH

Pump Up The Volume film posterDespite his reputation Mark manages to remain remarkably anonymous throughout the film.  One reason no one recognizes his radio voice (other from the electronic voice disguiser) is because his family is brand new in the district.  His father is the new school commissioner, the youngest in the state.  Mr. Hunter was once a young 1960s radical who fought against the system, and now of course is the system, something that Mark perceives as incredibly phony.  The irony is that Mark and his father are very much alike, something that Mark probably won’t recognize much less appreciate until he’s older.  What he doesn’t realize yet is that sometimes real change is made from the inside of the system.  Both Mark and his father make changes in the school, one from outside socially sanctioned parameters, one from the inside.

That’s something I really appreciate about this film as an adult.  It’s often too easy in a movie aimed at young audiences to paint a wide brush of evil stupidity and ignorance over everyone older than twenty.  That’s not to say Ms. Crestwood really isn’t a “maggot puswad” and her lackey Mr. Murdoch isn’t much better and that they don’t deserve what’s coming to them, but even the insensitive guidance counselor Mr. Deaver acknowledges at one point “They’re just kids!” and teachers like Ms. Emerson recognize when it’s fair to take the kids’ side.  And speaking of Ms. Emerson, it was refreshing to see in a film the staff of a high school get screwed over by corrupt administration, because believe you me, it certainly happens.  Ooooh, how I’d LOVE to name names!!!  You think it feels bad being pinpointed and degraded by an ******* principal as a high school student, imagine that and returning years and two college degrees later to teach and be treated the same way as an adult, if not worse.

If you can get past the cassette tapes and lack of internet communication (personally handwritten letters?  What are those?), every single person and conflict in this story is still a red hot reality in any high school today:  judgmentalism, self-doubt and self-hatred, suicidal thoughts, gay-bashing, teen pregnancy, some crooked and dishonest staff, independent thought (the ultimate affront to the public school system).  I strongly encourage teenagers of any era to watch this one, particularly if they feel like they’re about to go over the edge.  We hear so much in the news about how films and music are corrupting youth, but there’s a lot out there saving them at the same time.

One of the aspects that thrilled me most was how Mark “Happy Harry Hard-On” lived two completely different lives, out of fear of expressing who he really was in day-to-day life.  There are few sexier moments in a (small town) high school than those rare seconds when you glimpse the true nature of a classmate you thought you and all your gossipy schoolmates knew.  Because in high school, where everybody thinks they know everything, we really don’t know each other at all (hell, we don’t even understand ourselves).  Most of the time we each believe we’re so different from one another, which really makes us very much the same.  I think that’s the primary message of Pump Up The Volume.

“I’m just thinking about how strong some people can be.  And how everyone is alike in some way.” – HHH

This is also one of my most beloved movie soundtracks, as it took me over two and a half years of searching to find the cassette (keep in mind, this was the pre-internet days, and I grew up in a rural community and visited a music store maybe once or twice a year, if I was lucky).  It’s an eclectic mix of unique tunes from artists like Concrete Blonde,The Pixies, Liquid Jesus, Chagall Guevara, etc…

But it could have been better.  For heaven’s sakes, they didn’t even include the opening theme to every Hard Harry program (as well as the opening credits of the film), “Everybody Knows” by Leonard Cohen (as well as the mournful and important “If It Be Your Will“).  I’ll blame licensing issues for that, I guess.  By the way, I highly recommend Cohen’s album I’m Your Man.  I bought the tape solely for “Everybody Knows,” and unlike other albums that have disappointed after one great song, I have never regretted it!  He’s a divine musician.

Also not included on the official soundtrack is “Hello Dad I’m in Jail” by Was (Not Was) – the eccentric band that later taught us how to “Walk the Dinosaur” – and Ice-T’s “Girl L.G.B.N.A.F.” (if you’re clicking on the link I’m assuming I don’t need to warn you about the language in the song…then again if you’ve seen and liked this film you’re probably not squeamish about four-letter words). Those tunes are not as essential, but I thought I’d include links to them here since they weren’t on the official soundtrack…

You know what? If you’re still reading this, go watch the freakin’ movie already. And if you already have, then WATCH IT AGAIN!!!

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“Oh, that’s so sweet I could cry cartoon tears!”

The above quote is something my younger brother said with a smile years ago while we watched a particularly sentimental episode of “The Simpsons.”  It may seem silly to get weepy over an animated program, but the Simpson family is not just a rude caricature of the underachievers of America (as originally believed), especially after how the show has grown and how its characters have evolved into three-dimensional people with complex relationships (despite the fact they never age).

I’ll admit I’ve even gotten teary-eyed over “Full House,” so I’m not embarrassed to share my favorite heart-touching episodes of America’s #1 animated family (click on the episode titles to watch video clips of their respective closing and most powerful scenes).

In no particular order:

Homer and Mona Simpson1.  Mother Simpson (season 7).  When Homer was a small child, his mother left him and his father, who explained her departure by telling young Homer that she had died.  Then years later, she suddenly reappears in his life.  Mona Simpson wasn’t perfect by any means (are any of us?) but she finally explained why she made the choices she did.  The video clip in this link is a freeze-frame of the image during the episode’s closing credits, with the original score, that played after Homer was forced to say good-bye to his mother, again.  Simpsons employees begged the FOX network not to run commercials over the credits (that included falling stars in the night sky), as was becoming very popular at the time, so they wouldn’t ruin the emotion of the scene.

Marge Homer and Lisa or Maggie Simpson2.  And Maggie Makes Three (season 6; video is dubbed in Spanish).  I saw this episode only ONCE over a decade ago and I have never forgotten it.  This flashback episode begins when the family is going through their photo album and realize that there are no pictures of Maggie included.  The Simpson parents recall the story:  Before Maggie was born, Homer was finally able to quit his miserable job at the nuclear power plant to indulge his dream of working at the bowling alley with his buddy Barney.  Unfortunately, his private celebration with Marge resulted in another pregnancy, and eventually Homer had to return to work for the condescending and demoralizing Mr. Burns… So Bart asks, ”Then why no pictures?”  Homer replies, ”Oh, there are pictures.  I keep them where I need the most cheering up…”

Lisa and Bart Simpson face off3.  Lisa On Ice (season 6).  Tensions mount when Lisa and Bart play for opposing hockey teams.  Naturally, the final score depends on their final face off:  it’s up to Bart to make the winning goal, and Lisa must stop it as goalie.  The sibling competition – and their father and the community taking sides – gets under their skins until they simultaneously remember what made them sister and brother in the first place.

Maggie Simpson says her first word4.  Lisa’s First Word (season 4).  When this episode was scheduled to air on December 3, 1992, the anticipation was insane.  Maggie’s gonna talk!!!  Elizabeth Taylor’s gonna play her voice!!!  Actually, the entirety of the episode revolves around Lisa’s first word:  “Bart!”  This came as a delightful shock to little Bart, who had mostly been despising his younger sister (hey, I can relate…what first-born child is really eager to give up the limelight when another sibling comes along?); but after she spoke his name, he fell in love.  Mostly, anyway.  The show ends as Bart and Lisa are arguing and Homer carries baby Maggie to her crib.  “The sooner kids talk, the sooner they talk back.  I hope you never say a word.”  And then she does.

Mr. Bergstrom and Lisa Simpson5.  Lisa’s Substitute (season 2; no video clip available).  In this early episode Lisa’s schoolteacher falls ill and is temporarily replaced by Mr. Bergstrom (voiced by Dustin Hoffman, who – like a lot of guest stars on the show in the early days – was leery of doing voicework for a cartoon and, at the suggestion of producer James L. Brooks, used a sydonym, Sam Etic…a clever play on the word “Semetic” since Bergstrom and Hoffman are both Jewish).  Lisa falls head over heels for her brainy, resourceful and creative new teacher; she feels he’s the only person who can understand her.  One day she feels completely humiliated by Homer when all three of them run into one another at a local museum; Mr. Bergstrom recognizes the lack of connection between Lisa and Homer and gently suggests to Homer to try to relate more to his daughter.  The next day, Mr. Bergstrom was gone from the classroom.  Lisa frantically chases after him and finds him at the train station before he leaves town.  She begs him not to leave.  As comfort, he tells her, “Whenever you feel that you’re alone and there’s nobody you can rely on, this is all you need to know.”  He hands her a note, and as the train pulls away she reads, “You are Lisa Simpson.”  This episode inspired me years later as a teacher.  And Homer saves everybody’s day in the end:  “Don’t say anything, Marge. Let’s just go to bed.  Right now I’m on the biggest roll of my life.”

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Nigeria and Mexico: The Happiest Countries in the World?

In 2003, the World Values Survey conducted a study of 65 countries and published its findings in the United Kingdom’s New Scientist magazine.  The goal was to discover which nations’ citizens were happiest.

Well, according to the 100 people recently surveyed for America’s TV game show “Family Feud,” it’s the United States.  That’s a pretty common conclusion, I suppose, since the U.S. is pretty weathly and powerful and gives birth to legendary, world-renowned folks like Paris Hilton.  (Not to mention, all those polled were Americans.)

But, in fact, the results revealed that the happiest country is Nigeria, with Mexico as a close second (America came in at 17th, if I remember correctly; it was in the double digits, anyway… Usually Scandinavia is at the top of the list for quality of living).  They were followed by Venezuela, El Salvador and Puerto Rico.

The reason I remember this survey so clearly is because I was teaching high school English at the time, to 16 to 20-year-old inner city students catching up on their school credits.  Many of them were born in other countries, and coincidentally, I not only had several students from Mexico but I also had one from Nigeria.  So I shared the results of this study and asked them, “Do you think that’s true?”  And if so, “Why?”

Happy Mexicans laughing

(photo by splitpeasoup2009)

The primary commonality among all of their replies was family unity.  Their extended families live very close to one another, often within the same walls (in contrast to the geographically scattered U.S., where any adult who lives with immediate, much less extended, family is immediately perceived as a total loser).  One Mexican-born student recalled a recent phone call to his family; he shared that he was glad that he had a lot more things since arriving in the U.S. (a car, his own apartment, stereo, TV, spending money, etc). but he heard the excitement and joviality if his kin in Mexico preparing for a large family weekend barbeque and his heart just ached that he couldn’t be there.

Another student from Mexico shared her opinion that people are happier in her home country because of their general attitude about life and adversity.  She felt that people of her homeland generally accepted life’s difficulties as the natural flow of life, rather than fighting against it and insisting life should model some ideal.  She and the Nigerian student also felt that people are often happier with slower-paced, simple lifestyles.  Most of the people they knew back home owned very little and often worked less hours than Americans, but they were – assuming they were physically safe – generally happy and grateful for what they did have.

Unfortunately I had no students from Russia, Armenia or Romania in my classes – those countries were ranked as being the least happiest in the world.  I would have liked to hear their opinions as well.

What is your take on these findings?

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Happy Hallo-days! Merry Halloween, Sweet Samhain, Feliz Día de los Muertos…

(Photo by ms. Tea)

A ghost.  A cat.  A princess.  A punk rocker.  A gypsy fortune-teller.  Punky Brewster.  Supergirl.  Super Mario.  Morticia Addams.  Freddy Krueger.  Professor McGonagall.  A serial killer.  A fangoul.  An undead cowboy.  O the surreal realm that is Halloween night!

I have always been hopelessly devoted to the world of make-believe (that red trolley just carried away my heart every day); stage theater was divine – I pretended to be everything from a star cookie, an angel, a young boy, a creature from the center of the earth, the Virgin Mary, Mary Magdelene, one of Jesus’ disciples, a delusional mother, Captain Hook’s murderous crocodile, Snoopy’s Red Baron alter-ego.  I have dressed up in a Halloween costume every year of my life, to my knowledge, and I never intend to break the tradition.  Most young people do after entering junior high because they’re just TOO COOL to do otherwise.  They’re just missing out, in my opinion.

In grade school we held afternoon Halloween parties and took turns, class by class, in one continuous line, parading through one another’s decorated classrooms to show off our costumes.  This tradition continued for the grade school kids until I entered high school; sometimes they’d walk to our end of the school (it was a small town, so we were in the same building) and show their costumes to us as well.  The parties and parades came to a skidding halt, however, after a parent complained about Halloween being “Satanic” and they didn’t want it held in school anymore.  This is completely ridiculous to me.  First of all, the only thing Satanic about Halloween are those Dots candies that weld themselves into one’s molars for a half an hour, thereby setting the stage for a virtual nest of cavities.  :P   Secondly, a holiday that pre-dates Christianity does not equal Satanism; it’s Pagan, and if people have a problem with that then Christmas trees shouldn’t be in public school rooms, either.  Whether banning the tradition or not (just like “Secret Santas,” but I never discovered why that happened), the wise choice would have been to educate students about Halloween’s true origins.  But this was an American public school, after all.

Granted, Halloween is a strange holiday.  Why an entire holiday dedicated to death? (Why not?) I suppose because, as natural as it is, it frightens us the most. Playing around with the theatrics of death not only makes it less scary but it releases a natural high of epinephrine (such as the haunted houses I love so much I nearly piss myself every time, no matter how cheesy they are).  Ironically, this natural chemical rush makes us feel more alive.

The Grim Reaper Halloween SticViews.com(Image by Sticviews.com)

We poke at the Reaper from afar, taunting that murky unknown with gory and creepy stories, macabre decor and practical jokes.  I love all of it!  But it’s also this season when many people take time to remember loved ones who have slipped our mortal coil in the last year, due to the old belief that now is when the veil between the living and the dead is thinnest.  This year my friend Karen and I are missing Joe, who died suddenly with no warning this summer, and we don’t even know where his physical body was sent (much less did he not receive a funeral).  Our neighbor bid good-bye to Bailey, that gorgeous talkative canine who was struck in a hit-and-run a week later.  And the best friend of my 18-year-old cousin was killed suddenly in a car accident in South Dakota, rattling my relative to his very bones.

Even more so, this time of year is when many people acknowledge and honor their deceased ancestors (much as the native peoples of dozens of countries do throughout the entire year).  While it’s true of some in Halloween-celebrating cultures, it’s strongly so in holidays like Día de los Muertos (Day of the Dead) among many Spanish-speaking peoples, particularly Mexicans.  It’s a time of celebrating both life and death.  Families arrange ofrendas for their loved ones, memorial altars that can include photos, flowers, sugar skulls and skeletons, pan de la muerto (“bread of the dead” – dough shaped into skulls and other death-related images before baked), their beloved’s favorite foods and beverages, and so on.  Often families will picnic and pray at the gravesite as they share their favorite stories about the departed.

Everything in nature eventually dies, autumn reminds us.  The air grows cold and the leaves drop and curl at our feet (at least in the north).  New buds will be born again in the spring; they won’t be exactly the same, but they will be here to continue the cycle of life.  As beautiful and predictable as this process is, I still take little comfort in knowing that life will go on without me after I die.  Who will see the world as I do?  Or as you do?  Who will find meaning and love the exact same things they way we each do?

Perhaps after we’re gone there will be others remembering us this time of year, dressed in outlandish costumes and laughing and scaring themselves silly in their realms of make-believe, remembering us departed souls while we reach out to them through the flickering glow of their homemade jack o’ lanterns.  That is what I hope.

Samhain November 1st: The true meaning of Halloween – Jim Tolstrup shares his experiences of getting in touch spiritually with his ancestors.

I love Halloween so much that I wish it lasted at least a week.  I’m not too sure about it happening all year, lest there be too much of a good thing, but I love the site 365Halloween.com:)

Artist Kris Dickinson creates outstanding and original paper art.  Visit her blog A Nostalgic Halloween to see her holiday-related crafts.

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Self-Confidence In Action…”Yea, though I walk through the valley of the shadow of death…”

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What We Can Still Learn from Mr. Rogers

Like many people who grew up watching public television in the late 20th century, I was very fond of Mister Rogers’ Neighborhood.  He was a dear, gentle man whose life mission and ministry was to teach children how important they were, how to treat others, and how to use their imaginations to make their young lives even brighter.  He was the Real Deal.  Employees who began working for him in the early years were still on the payroll – as well as close friends – by the time he died in 2003.  Strangers would stop him on the street and tearfully share their stories of growing up with his show; sometimes he was the only one in their childhoods who ever told them they were important.

When I was an 18-year-old freshman college student I read in a TV Guide article that the first thing he did every morning when he arrived at his office was answer his fan mail personally.  So I decided to write to him, telling him how amazing I thought he was, the way he dedicated himself to building young people’s self-confidence when the rest of the television world was devoted to tearing it down in the name of profits.  I also commented on one of his books, You Are Special: Words of Wisdom for All Ages from a Beloved Neighbor, that I had found on sale that year in my university bookstore; he had written in the preface about his grandfather (who’s last name was McFeeley, and was also Mr. Rogers’ middle name – sound familiar?) and I shared my own feelings about my own grandfather.  Less than a week later arrived an envelope with a red trolley graphic in the upper left-hand corner.  He had sent a typed letter addressed to me and my comments personally, signed in blue ink!  I couldn’t have been more excited!  I laminated the letter so nothing could damage it.  :-)

Years later I became an English teacher, eventually instructing everyone from seventh grade to 20-year-olds.  I loved decorating my classroom with posters dedicated to not only famous literature and their authors, but other influential personalities.  I was able to purchase a very nice poster of Mr. Rogers from his company, Family Communications (now known as The Fred Rogers Company) for only three dollars.  Naturally, many students asked, often on the first day of class, “Why do you have a poster of Mr. Rogers in here?”  I told them that he was one of my heroes; I then asked, “Do you remember what he said at the end of every single show?”  I’ll never forget when one 8th grader guessed, “Don’t do drugs…?”  :-)   I said, “No, he didn’t say that, but I’m willing to bet he’d advise it!”  I then reminded them of how he always reminded us that “I like you just the way you are; there is nobody in the world like you.”  I’ve talked about this with every age group I’ve worked with, and the reaction is always the same:  they all look down bashfully with the strangest little grins on their faces while the message sinks in.  Who doesn’t want to be told they’re special?  (Incidentally, I was teaching those eighth graders the day of his death; long before the first class began several of them tore into my classroom: “Mr. Rogers died!!  I heard it on the news this morning and thought of you!”)

Which brings me to my list – What We Can Still Learn (as Children or Adults) from Mister Fred Rogers:

1.  You are special just the way you are. Fred Rogers wholeheartedly, unabashedly, completely believed this about everyone.  And the way he treated every person he met was living proof.  He once befriended a limo driver (although I can’t picture him riding in a limousine!) and spent that evening with him and his family, visiting and playing piano and singing songs.  Most people can barely recall what their driver looked like.

2.  Imagination is King (Friday!). What would Mr. Rogers’ world be without the Neighborhood of Make-Believe?  Well, I could have done without Lady Elaine Fairchilde – she was a big meanie who gave me nightmares.  

3.  It’s okay to feel bad. Is there anything worse when you feel upset, whether sad or angry, and someone tells you not to feel that way?  That just gets me even more irate.  Mr. Rogers taught us that it’s okay to feel whatever feeling you’re having; it’s how you ACT on those feelings that matters.

4.  You are not alone. Everybody feels sadness, anger, loneliness, happiness, joy, sorrow, and everything else, at one time or another.

5.  We’re all equal, and we all deserve to be treated that way.

Mr. Rogers says farewell to the adults who grew up with him:

If you’re a Mr. Rogers’ softie like me, you’re sure to love Tom Junod’s EXCELLENT article Can You Say Hero?

Also good is a TIME magazine article titled I Was Mr. Rogers’ Neighbor.

Mr. Rogers and Me, a documentary.

I also encourage you and/or your children to visit the Mr. Rogers’ Neighborhood site on PBSkids.org – It’s so CUTE!!!!

There was once a movement on Facebook to save Mr. Rogers’ Neighborhood from being pulled from PBS, but it wasn’t really true.  What IS true, however, is that it’s the decision of each independent PBS channel to decide to show it.  My local network, Prairie Public Television, wasn’t showing the Neighborhood for some time; now it’s on early Sunday morning, but that is all.  He used to be on at least once a day!  If you live in the PPT viewing area, I encourage you to contact them and suggest that Mr. Rogers’ message be able to reach our children on a regular basis. 

I’d love to hear your Mr. Rogers memories!  Please share them here.  :-)

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